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Italian Renaissance entrate is Bonner Mitchell, Italian Civic Pageantry of the High Renaissance: A Descriptive Bibliography of Triumphal Entries and Selected Other Festivals for State Occasions (Florence) 1979. The finale was a huge tableau of Heaven, where God the Father, surrounded by saints and angels, addressed the King. Knighton and Morte Garca 1999:120. After Mantegna 's great mural of the Triumphs of Caesar rapidly became known throughout Europe in numerous versions in print form, this became the standard source, from which details were frequently borrowed, not least by Habsburg rulers, who especially claimed the Imperial legacy of Rome. The Holy Roman Emperor, Maximilian I, went a step further, creating enormous virtual triumphs that existed solely in the form of print. Poets Jean Dorat and Pierre Ronsard drew up the iconographic program, and Germain Pilon executed temporary allegorical sculpture, and Niccolo dell'Abate provided paintings. In the world of Renaissance Neo-Platonism, the assertion and acting-out of the glory and power of the prince might actually bring it about. McAllister Johnson, The Paris Entries of Charles IX and Elizabeth of Austria 1571 (University of Toronto Press) 1975. Roy Strong finds that they are "an idealization of an event, often quite distant from its reality as experienced by the average onlooker. 45 In the Renaissance, artists were often imported from other cities to help with, or supervise, the works, and entries probably helped the dissemination of styles.

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32 A precocious example of the Entrata with a consistent and unified allegorical theme was the Entry of Medici pope Leo X into Florence, November 1515. Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph (Oxford: Clarendon Press, 1998). Initially these were on religious themes, but "gradually these tableaux developed, through the fifteenth and into the sixteenth century, into a repertory of archways and street-theatres which presented variants of a remarkably consistent visual and iconographical vocabulary." 15 Fortune with her wheel, Fame and Time. 61 For the entry of Henry II of France to app for finding gay friends Rouen, 30 naked men were employed to illustrate life in Brazil and a battle between the Tupinamba allies of the French, and the Tabajares Indians. In England, part of the Accession Day festivities in 1588, following the defeat of the Spanish Armada were especially joyous and solemn.

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